ad space 1

Wednesday, 13 August 2014

How you should not light a portrait (or should you?)




In photo school you learn to avoid pincer lighting when making a portrait. This is lighting from the left and the right, but not in the middle. The effect is that you get a dark band in the face, making it difficult to see the eyes. The person looks ugly and untrustworthy. I did that for the heck of it, just to try it out, in this photo.
You see how Freda, who usually looks real good, suddenly looks menacing, dangerous. The green eyes are a photoshop addition, obviously.
The procedure I recommend is: set up your key light to get the shadows in the right place. Where the right place is, that is an artistic decision that only you can take. After that set up your fill light (usually soft light works best) close to the lens. The strength of the fill light is again an artistic decision you have to take yourself. Finally add effect and/or background light. 
Arnold Newman was one of the greatest portrait photographers of all time. He created the famous image of composer Igor Stravinsky at the piano.
He made a whole lot of iconic images that every photography enthusiast should know.
Now Arnold Newman got a commission to make portrait of the German industrialist Alfried Krupp. Krupp became fabulously wealthy in the Second World War by making arms for Hitler, using Jewish slave labour. Arnold Newman was a Jew. Newman describes in an interview how Krupp’s production was interrupted when the Jewish slaves would take shelter when there was an air raid. To prevent this interruption Krupp had the slaves chained to the machinery.
Obviously Newman was no friend on Krupp, but he took the commission to photograph him. He set up his lights to the side, directed Krupp where and how to pose, and Newman mishandled his film in such a way that it would give an unpleasant greenish cast to the photo. In the process Newman created one of the most famous portraits of all time.

No comments:

Post a Comment